8/2/12

Roman Catholic Immoral Manipulators Try To Silence Latino Ally


A $40,000 Catholic grant was returned after a representative of the United States Conference of Catholic Bishops visited the community group soon after their leader, Gladys Vega, spoke out for a local Transgender beating victim. The absence of these funds leaves our allies, The Chelsea Collaborative Latino Immigrant Committee, which advocates for immigrant workers, in dire straights.

According to the Boston Globe The community group was shaken after a representive of the American Catholic Bishops visited their group. Following the visit the group tried to clarify what exactly the Roman Catholic campaigns expectations were in exchange for the grant.


"Ultimately, Vega said, the Catholic Campaign did not answer the questions to the collaborative’s satisfaction. At one point, she said, the Catholic Campaign suggested that specific questions about thorny issues — for example, about whether it would be acceptable to hold a rally in support of the victimized transgender woman — could be posed to local church authorities first."

"The group’s work is about community empowerment, Vega said, and the Catholic Campaign “is telling us that in order for us to do a campaign against the assault of a transgender woman we need to check with the archdiocese or consult a local priest. That didn’t sit well.”

My heroines and heroes...



"Vega said she is now scrambling to find other sources of income because few organizations underwrite the kind of work the Latino Immigrant Committee does. Recently, for example, the committee has been fighting for workers at a local bakery paid below the minimum wage. The grant represents 82 percent of the committee’s funding and helps pay for a staff member to assist the committee’s community activists, Vega said. The Chelsea Collaborative’s annual budget is $1.4 million, she said."

8/1/12

Our Lady J Music Video "We Stand"



Huffpost interviews Lady J:

(HP)Where did "We Stand" come from?

"We Stand" is about the power of two, how 1 + 1 = 3. I wrote it while riding a bus down Hollywood Boulevard! [Laughs] I hadn't gotten my driver's license yet, and it was too late at night to be riding my bike. (I now have my license, like a proper California girl.)

(HP)Many gay and/or trans artists say that their sexual or gender identities have little to do with their art, but in your case, trans themes seem to be prevalent. Do you think this is a fair reading, and if so, why do you include these themes?

When artists say that identity politics have "little to do with our art," it's really just a nice way of saying "let's not scare away the mortals" -- a valid point when an artist's survival could be threatened by the majority's limited exposure to the minority. The reality is that our sexual and gender identities do influence what we create, because everything in our lives influences our artistic output (unless we're completely splintered sociopaths). I publicly admit that my experience as a transgender person influences my music, purely for the fact that there are so few trans role models out there for the younger generation. I was starving for these role models when I was a kid, and the lack of positive media exposure for the queer community nearly prevented me from getting to where I am today. But to say that my music is only trans themed isn't accurate. Everyone can relate to the search for our true identities, which is what I'm really singing about.

Read the rest of the article on Huffington Post