8/10/12

Заключительные заявления на суде Riot киска | Closing Statement at the Pussy Riot Trial

Yekaterina Samutsevich, defendant in the criminal case against the feminist punk group Pussy Riot:





During the closing statement, the defendant is expected to repent or express regret for her deeds, or to enumerate attenuating circumstances. In my case, as in the case of my colleagues in the group, this is completely unnecessary. Instead, I want to express my views about the causes of what has happened with us.

The fact that Christ the Savior Cathedral had become a significant symbol in the political strategy of our powers that be was already clear to many thinking people when Vladimir Putin’s former [KGB] colleague Kirill Gundyaev took over as head of the Russian Orthodox Church. After this happened, Christ the Savior Cathedral began to be used openly as a flashy setting for the politics of the security services, which are the main source of power [in Russia].

Why did Putin feel the need to exploit the Orthodox religion and its aesthetics? After all, he could have employed his own, far more secular tools of power—for example, national corporations, or his menacing police system, or his own obedient judiciary system. It may be that the tough, failed policies of Putin’s government, the incident with the submarine Kursk, the bombings of civilians in broad daylight, and other unpleasant moments in his political career forced him to ponder the fact that it was high time to resign; otherwise, the citizens of Russia would help him do this. Apparently, it was then that he felt the need for more convincing, transcendental guarantees of his long tenure at the helm. It was here that the need arose to make use of the aesthetics of the Orthodox religion, historically associated with the heyday of Imperial Russia, where power came not from earthly manifestations such as democratic elections and civil society, but from God Himself.

How did he succeed in doing this? After all, we still have a secular state, and shouldn’t any intersection of the religious and political spheres be dealt with severely by our vigilant and critically minded society? Here, apparently, the authorities took advantage of a certain deficit of Orthodox aesthetics in Soviet times, when the Orthodox religion had the aura of a lost history, of something crushed and damaged by the Soviet totalitarian regime, and was thus an opposition culture. The authorities decided to appropriate this historical effect of loss and present their new political project to restore Russia’s lost spiritual values, a project which has little to do with a genuine concern for preservation of Russian Orthodoxy’s history and culture.

It was also fairly logical that the Russian Orthodox Church, which has long had a mystical connection with power, emerged as this project’s principal executor in the media. Moreover, it was also agreed that the Russian Orthodox Church, unlike the Soviet era, when the church opposed, above all, the crudeness of the authorities towards history itself, should also confront all baleful manifestations of contemporary mass culture, with its concept of diversity and tolerance.
Implementing this thoroughly interesting political project has required considerable quantities of professional lighting and video equipment, air time on national TV channels for hours-long live broadcasts, and numerous background shoots for morally and ethically edifying news stories, where in fact the Patriarch’s well-constructed speeches would be pronounced, helping the faithful make the right political choice during the election campaign, a difficult time for Putin. Moreover, all shooting has to take place continuously; the necessary images must sink into the memory and be constantly updated, to create the impression of something natural, constant and compulsory.

Our sudden musical appearance in the Cathedral of Christ the Savior with the song “Mother of God, Drive Putin Out” violated the integrity of this media image, generated and maintained by the authorities for so long, and revealed its falsity. In our performance we dared, without the Patriarch’s blessing, to combine the visual image of Orthodox culture and protest culture, suggesting to smart people that Orthodox culture belongs not only to the Russian Orthodox Church, the Patriarch and Putin, that it might also take the side of civic rebellion and protest in Russia.

Perhaps such an unpleasant large-scale effect from our media intrusion into the cathedral was a surprise to the authorities themselves. First they tried to present our performance as the prank of heartless militant atheists. But they made a huge blunder, since by this time we were already known as an anti-Putin feminist punk band that carried out their media raids on the country’s major political symbols.
In the end, considering all the irreversible political and symbolic losses ca


used by our innocent creativity, the authorities decided to protect the public from us and our nonconformist thinking. Thus ended our complicated punk adventure in the Cathedral of Christ the Savior.

I now have mixed feelings about this trial. On the one hand, we now expect a guilty verdict. Compared to the judicial machine, we are nobodies, and we have lost. On the other hand, we have won. Now the whole world sees that the criminal case against us has been fabricated. The system cannot conceal the repressive nature of this trial. Once again, Russia looks different in the eyes of the world from the way Putin tries to present it at daily international meetings. All the steps toward a state governed by the rule of law that he promised have obviously not been made. And his statement that the court in our case will be objective and make a fair decision is another deception of the entire country and the international community. That is all. Thank you.

• • • • • •

Photo courtesy of Alexandra Astakhova. Original text in Russian published here. You can view video of the closing statements by Yekaterina Samutsevich, Maria Alyokhina and Nadezhda Tolokonnikova here and here (in Russian).



Source: Chtodelat

Russian Orthodox Church "Standard Bearers" Burn Pictures Of Pussy Riot and Madonna


The Russian Orthodox Church's response to the world's cry for freedom for Pussy Riot? Burn them.



Study these faces well. If they find you in a place where they can do it, they will hurt you. They are the Russian state "christian" church.

But Pussy Rioters are not blameless they also used fire, fireworks that is, over the prison to celebrate a birthday of a pussy riot member! Салют в день рожденья Кати у следственного изолятора.



..and these tasteful pictorial editorials...

8/9/12

Madonna In St Petersburg Defies Kremlin! Are You Mother Fucking With Me?

Tonight in St Petersburg someone whom Putin's deputy diminutively described as a "Little woman" defied the St Petersburg Russian law forbidding gatherings LGBT people and asked thousands of wildly cheering fans, LGBT and allies, to raise there arms and show there pink armbands.





I'm with you Madonna. The world minus the haters are with you and sometimes its ok to say it, just say it. I'm with you motherfuckers.

I'm Having A Transgender Family's Baby: Full Episode




Note from kelli: Trans people have for too long been victims in family court.
I wish I could turn the clock back 20 years to the time when society ripped my baby from me. I wish I had a family that believed in me and didn't reject me, a human services department that didn't hate me for being trans. I wish I still had Sean in my life. But times? They are a changing.

More at Advocate

"Common Gender" Hijra Shunned And Clinging To Life



First-time director Noman Robin accidentally walked into a shockingly violent scene that propelled him into the movie making spotlight in his native Bangladesh -- and around the world.

Robin was at a mall as a hijra or transgender female was thrown first out of the men's room and then the ladies' room. As customers began screaming, security guards dragged her to the street and began beating her.



"What are you doing here?" shouted the guards. "I'm human! I need to go to the toilet," she replied.

Today, Robin's film, "Common Gender," exposes the shunned hijra -- transvestites, transgender -- who cling together in slums, rejected by their families and exploited by society that treats them as sub-human.

Common Gender on Facebook

8/7/12

Watch: Madonna At Moscow Pussy Riot, I Pray For Your Freedom



During the show Madonna paused and gave a brief speech, reflecting on the privileges of American freedom and democracy. “As an artist, as a human being, as a woman, I have freedom to express my point of view, even if other people don’t agree with me,” she said. “Even if my government doesn’t agree with me.”

“So I just want to say a few words about Pussy Riot,” she continued. “I know there are many sides to every story, and I mean no disrespect to the church or the government. But I think that these three girls — Masha, Katya, Nadya — I think that they have done something courageous. I think they have paid the price for this act. And I pray for their freedom.”

Later, she appeared on stage in a black bra with the name of the band written in bold letters on her back. She also donned a balaclava, the band’s trademark headgear. -NYTimes